MARBLE AND BLOOD

Horace Kallen

Suppose you take the world as it comes. Suppose you take the world at its face value. Then reality is what you know it as. You find the substantive parts of it connected by relations as truly present and as existent as the parts themselves.

You find transition and change, continuity and discontinuity, routine and surprise, multiple unities of manifold kinds, realities of various stuffs and powers — all connected with one another by transitions from next to next, each standing away, alone, unmitigated, unincludable, now from some things, now from others.

You find movement. You find beginnings, you find endings, you find continuity and you find transformation. In a word, the world of the daily life which we touch and see and hear and smell and taste, which we struggle against and work together with, need be none other than we experience it to be.

Karl Blossfeldt — Urformen Der Kunst

THOMAS DAUSELL about contactprojects silvered, a projeckt about my dad the ∞ portrait project 1023 fra aa frontpage all 1023 portraits about from the exhibitionpaintings

THOMAS DAUSELL about contactprojects silvered, a projeckt about my dad the ∞ portrait project 1023 fra aa frontpage all 1023 portraits about from the exhibitionpaintings

about contactprojects silvered, a projeckt about my dad the ∞ portrait project 1023 fra aa frontpage all 1023 portraits about from the exhibitionpaintings

THOMAS DAUSELL

_{about

contact
projects silvered, a projeckt about my dad
the ∞ portrait project
1023 fra aa

frontpage

all 1023 portraits

about

from the exhibition
paintings}

THOMAS DAUSELL

_{about

contact
projects silvered, a projeckt about my dad
the ∞ portrait project
1023 fra aa

frontpage

all 1023 portraits

about

from the exhibition
paintings}

_{about

contact
projects silvered, a projeckt about my dad
the ∞ portrait project
1023 fra aa

frontpage

all 1023 portraits

about

from the exhibition
paintings}